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MetaFilter : Public Libraries: Stealing Authors’ Paychecks?

24/02/2013

Via MetaFilter : l’auteur de livres jeunesse Terry Deary mène une charge contre les bibliothèques publiques qu’il accuse de voler les revenus des auteurs et ne plus être culturellement nécessaires dans le monde actuel. C’est un refrain que l’on entends de plus en plus souvent. Je pense par exemple à cette interview de l’auteur Francis Dannemark qui a plus ou moins le même discours et résume sa pensée ainsi : « Le prêt des livres fait vivre les livres – mais il fait mourir les auteurs et les éditeurs. ».
Les arguments allant à l’encontre de cette vision des choses sont nombreux, les bibliothèques sont de grosses acheteuses de livres et le public des bibliothèques achète souvent plus de livres que le reste de la population. Mais on peut comprendre l’angoisse des auteurs et des éditeurs. Beaucoup des premiers ont du mal à vivre de leur plume et l’explosion de l’offre littéraire ne leur facilite pas la vie. Les bibliothèques sont un bouc émissaire facile en temps de crise. L’équation selon laquelle un lecteur empruntant un livre en bibliothèque l’aurait acheté si la bibliothèque ne le possédait pas est fausse mais facile à imaginer pour un auteur devant payer ses factures.
Quant aux éditeurs, s’ils aiment faire partager des textes et faire découvrir des auteurs, ils sont à la base des sociétés commerciales. Et dans une logique de chiffre, elles ont toujours eu un rapport ambigu avec les bibliothèques. Leur position très conservatrice sur le prêt de livres numériques en bibliothèque en est un exemple flagrant.
Heureusement, la majorité des auteurs aiment les bibliothèques, y ont fait leur premières rencontres littéraires et se rendent bien comptent que les bibliothèques sont de véritables machines à fabriquer des lecteurs, leurs lecteurs.

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Quelques livres sur le café

13/01/2013

A l’occasion des fêtes de fin d’année, Oliver Strand, le spécialiste café du New York Times à compilé une petite liste de titres consacrés au café.
A côté de titres plus historiques, consacrés à un pays ou une firme, plusieurs livres consacrés au café en général ou à l’espresso me tentent bien. The Blue Bottle Craft of Coffee, écrit par les fondateurs de la brûlerie californienne, il couvre les étapes depuis la culture jusqu’à la torréfaction et préparation du café. The craft of espresso est plutôt consacré à la préparation du café et A-Z Coffee est plus anecdotique mais semble être un joli petit abécédaire sur le café.

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NYT : Favorite Book Cover Designs of 2012

31/12/2012

Le New York Times a demandé à une série de graphistes ou de personnes gravitant dans l’univers du graphisme de sélectionner leurs couvertures de livres préférées en 2012. Il y a des choses absolument magnifiques et qui vont à l’encontre de mes (bonnes ?) résolutions de privilégier les ebooks pour la fiction afin de libérer de la place dans ma bibliothèque. Il y en a même plusieurs que j’allais acheter en version électronique qui se retrouvent dans la liste. Le papier aura ma perte…

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périodiques micro format

8/12/2012

Plusieurs sources pointent actuellement vers cet article de Craig Mod sur ce qu’il appelle le subcompact publishing. C’est à dire la tendance allant vers des petites publication de périodiques en ligne avec peu d’articles, des formats légers et des prix proches de ce que l’on a l’habitude de payer pour des applications mobiles, donc rien ou pas grand chose. Jason Kottke liste quelques unes de ces publications ou les platesformes permettant de les créer.
De mon côté je continue de créer artificiellement ce genre de format via Readlists afin de lire des sélections d’articles sur Kindle. Mais j’avoue que cette taille de publication me branche bien et je vais essayer de trouver certains titres intéressants.

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No pasaran, endgame

29/11/2012

No pasaran endgame
No Pasaran endgame vient clôturer la trilogie de Christian Lehmann débutée par No pasaran, le jeu. Le deuxième tome, Andreas, le retour, avait introduit une série de nouveaux personnages et d’intrigues autour de thèmes tels que l’extrême droite, l’islamisme, la guerre des balkans, l’engagement personnel et les rapports entre jeux vidéos et réalité. Ces intrigues venaient s’entremêler au coeur du récit où l’on suivait Eric, Thierry et Andreas et le jeu qui les a catapulté au milieu des horreurs de la seconde guerre mondiale. Ce n’était pas une mince affaire de boucler ces différentes intrigues tout en conservant le rythme et l’intensité des deux premiers volumes. Mais Christian Lehmann connait son sujet, que ce soit la France occupée, l’extrême droite ou les paradoxes temporels et il nous offre ici un récit haletant qui noue de main de maître tous les fils de l’histoire. Difficile de lâcher ce troisième tome qui termine de manière efficace et élégante une trilogie culte de la littérature jeunesse. Hautement recommandé.
Il faut également signaler que No Pasaran, le jeu est également sorti sous forme de bande dessinée, avec Antoine Carrion au dessin. Je n’ai pas encore eu l’occasion de le lire, mais il est commandé…

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Horreur moderne

29/11/2012

Au niveau de la littérature d’horreur, Internet a vu naître ses propres mythologies (je pense par exemple à Slender Man) mais également de nouveaux formats. Sur twitter par exemple avec ActualPerson084 et UtilityLimb. Et récemment sur Tumblr windows 95 tips qui réalise un mélange absolument fantastique.

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un tatouage de bibliothécaire jeunesse

17/10/2012

Heatherwarren
Heather Warren est une bibliothécaire jeunesse américaine. Elle a réussi a combiner tatouage et littérature jeunesse et le résultat est assez réussi. A première vue, on retrouve sur son bras (en VF) Matilda, Max et les Maximonstres, le petit Prince et l’arbre généreux. Voici le set complet de photos. (Via Boing Boing).

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Readlists

29/05/2012

Readlists est un projet développé par les gens derrière readability. Le site permet de composer des listes de lecture sur base de pages web et d’envoyer leur contenu sur kindle (ou d’autres plateformes). Il y a également moyen de naviguer dans les listes de lectures rédigées par d’autres utilisateurs.

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Le texte intégral des nouvelles nominées pour les Hugo 2012

22/04/2012

L’auteur John Scalzi a collationé les liens vers le texte des nouvelles nominées pour les Hugo 2012. Le plus facile pour les utilisateurs de tablettes est de toutes les combiner (avec un peu de mise en page) dans un document et de convertir le tout en epub ou mobi.

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The SCP Foundation

17/01/2012

The SCP Foundation. Entre X Files et les atrocity archives de Charles Stross, the SCP foundation est un travail collaboratif sous forme de wiki qui rassemble des dossiers sur l’enfermement et la conservation d’artefacts et créatures dangereuses. Le meilleur point d’entrée est la page reprenant les histoires/dossiers les mieux cotées par les membres.

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Le Codex Seraphinianus et le manuscrit Voynich

30/11/2011

Quelques références pour des recherches personnelles : une version en ligne du manuscrit Voynich , (informations sur Wikipedia et discussions sur Metafilter) et un article accompagné d’images sur le Codex Seraphinianus de Luigi Serafini (Wikipedia et Metafilter).

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FT.com : Unpacking my library

13/11/2011

Quelques extraits du livre Unpacking My Library: Writers and Their Books, où des auteurs parlent de leurs rapports aux livres de leur bibliothèque. Je découvre quand même que parmi les livres préférés de Philip Pullman se trouve les bijoux de la Castafiore.

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Ray Nelson : “Eight O’Clock in the Morning”

1/11/2011

Je viens de découvrir que “They Live“, le film le plus subversif de Carpenter (et qui n’a jamais été autant d’actualité) était tiré d’une nouvelle de 1963 de Ray Nelson nommée “Eight O’Clock in the Morning”. La voici :

At the end of the show the hypnotist told his subjects, “Awake.”
Something unusual happened.
One of the subjects awoke all the way. This had never happened before. His name was George Nada and he blinked out at the sea of faces in the theatre, at first unaware of anything out of the ordinary. Then he noticed, spotted here and there in the crowd, the non-human faces, the faces of the Fascinators. They had been there all along, of course, but only George was really awake, so only George recognized them for what they were. He understood everything in a flash, including the fact that if he were to give any outward sign, the Fascinators would instantly command him to return to his former state, and he would obey.
He left the theatre, pushing out into the neon night, carefully avoiding any indication that he saw the green, reptilian flesh or the multiple yellow eyes of the rulers of the earth. One of them asked him, “Got a light buddy?” George gave him a light, then moved on.
At intervals along the street George saw the posters hanging with photographs of the Fascinators’ multiple eyes and various commands printed under them, such as, “Work eight hours, play eight hours, sleep eight hours,” and “Marry and Reproduce.” A TV set in the window of a store caught George’s eye, but he looked away in the nick of time. When he didn’t look at the Fascinator in the screen, he could resist the command, “Stay tuned to this station.”
George lived alone in a little sleeping room, and as soon as he got home, the first thing he did was to disconnect the TV set. In other rooms he could hear the TV sets of his neighbors, though. Most of the time the voices were human, but now and then he heard the arrogant, strangely bird-like croaks of the aliens. “Obey the government,” said one croak. “We are the government,” said another. “We are your friends, you’d do anything for a friend, wouldn’t you?”
“Obey!”
“Work!”
Suddenly the phone rang.
George picked it up. It was one of the Fascinators.
“Hello,” it squawked. “This is your control, Chief of Police Robinson. You are an old man, George Nada. Tomorrow morning at eight o’clock, your heart will stop. Please repeat.”
“I am an old man,” said George. “Tomorrow morning at eight o’clock, my heart will stop.”
The control hung up.
“No, it wont,” whispered George. He wondered why they wanted him dead. Did they suspect that he was awake? Probably. Someone might have spotted him, noticed that he didn’t respond the way the others did. If George were alive at one minute after eight tomorrow morning, then they would be sure.
“No use waiting here for the end,” he thought.
He went out again. The posters, the TV, the occasional commands from passing aliens did not seem to have absolute power over him, though he still felt strongly tempted to obey, to see things the way his master wanted him to see them. He passed an alley and stopped. One of the aliens was alone there, leaning against the wall. George walked up to him.
“Move on,” grunted the thing, focusing his deadly eyes on George.
George felt his grasp on awareness waver. For a moment the reptilian head dissolved into the face of a lovable old drunk. Of course the drunk would be lovable. George picked up a brick and smashed it down on the old drunk’s head with all his strength. For a moment the image blurred, then the blue-green blood oozed out of the face and the lizard fell, twitching and writhing. After a moment it was dead.
George dragged the body into the shadows and searched it. There was a tiny radio in its pocket and a curiously shaped knife and fork in another. The tiny radio said something in an incomprehensible language. George put it down beside the body, but kept the eating utensils.
“I can’t possibly escape,” thought George. “Why fight them?”
But maybe he could.
What if he could awaken others? That might be worth a try.
He walked twelve blocks to the apartment of his girl friend, Lil, and knocked on her door. She came to the door in her bathrobe.
“I want you to wake up,” he said
“I’m awake,” she said. “Come on in.”
He went in. The TV was playing. He turned it off.
“No,” he said. “I mean really wake up.” She looked at him without comprehension, so he snapped his fingers and shouted, “Wake up! The masters command that you wake up!”
“Are you off your rocker, George?” she asked suspiciously. “You sure are acting funny.” He slapped her face. “Cut that out!” she cried, “What the hell are you up to anyway?”
“Nothing,” said George, defeated. “I was just kidding around.”
“Slapping my face wasn’t just kidding around!” she cried.
There was a knock at the door.
George opened it.
It was one of the aliens.
“Can’t you keep the noise down to a dull roar?” it said.
The eyes and reptilian flesh faded a little and George saw the flickering image of a fat middle-aged man in shirtsleeves. It was still a man when George slashed its throat with the eating knife, but it was an alien before it hit the floor. He dragged it into the apartment and kicked the door shut. “What do you see there?” he asked Lil, pointing to the many-eyed snake thing on the floor.
“Mister…Mister Coney,” she whispered, her eyes wide with horror. “You…just killed him, like it was nothing at all.”
“Don’t scream,” warned George, advancing on her.
“I won’t George. I swear I won’t, only please, for the love of God, put down that knife.” She backed away until she had her shoulder blades pressed to the wall.
George saw that it was no use.
“I’m going to tie you up,” said George. “First tell me which room Mister Coney lived in.”
“The first door on your left as you go toward the stairs,” she said. “Georgie…Georgie. Don’t torture me. If you’re going to kill me, do it clean. Please, Georgie, please.”
He tied her up with bed sheets and gagged her, then searched the body of the Fascinator. There was another one of the little radios that talked a foreign language, another set of eating utensils, and nothing else.
George went next door.
When he knocked, one of the snake-things answered, “Who is it?”
“Friend of Mister Coney. I wanna see him,” said George.
“He went out for a second, but he’ll be right back.” The door opened a crack, and four yellow eyes peeped out. “You wanna come in and wait?”
“Okay,” said George, not looking at the eyes.
“You alone here?” he asked as it closed the door, its back to George.
“Yeah, why?”
He slit its throat from behind, then searched the apartment.
He found human bones and skulls, a half-eaten hand.
He found tanks with huge fat slugs floating in them.
“The children,” he thought, and killed them all.
There were guns too, of a sort he had never seen before. He discharged one by accident, but fortunately it was noiseless. It seemed to fire little poisoned darts.
He pocketed the gun and as many boxes of darts he could and went back to Lil’s place. When she saw him she writhed in helpless terror.
“Relax, honey” he said, opening her purse, “I just want to borrow your car keys.
“He took the keys and went downstairs to the street.
Her car was still parked in the same general area in which she always parked it. He recognized it by the dent in the right fender. He got in, started it, and began driving aimlessly. He drove for hours, thinking–desperately searching for some way out. He turned on the car radio to see if he could get some music, but there was nothing but news and it was all about him, George Nada, the homicidal maniac. The announcer was one of the masters, but he sounded a little scared. Why should he be? What could one man do?
George wasn’t surprised when he saw the road block, and he turned off on a side street before he reached it. No little trip to the country for you, Georgie boy, he thought to himself.
They had just discovered what he had done back at Lil’s place, so they would probably be looking for Lil’s car. He parked it in an alley and took the subway. There were no aliens on the subway, for some reason. Maybe they were too good for such things, or maybe it was just because it was so late at night.
When one finally did get on, George got off.
He went up to the street and went into a bar. One of the Fascinators was on the TV, saying over and over again, “We are your friends. We are your friends. We are your friends.” The stupid lizard sounded scared. Why? What could one man do against all of them?
George ordered a beer, then it suddenly struck him that the Fascinator on the TV no longer seemed to have any power over him. He looked at it again and thought, “It has to believe it can master me to do it. The slightest hint of fear on its part and the power to hypnotize is lost.” They flashed George’s picture on the TV screen and George retreated to the phone booth. He called his control, the Chief of Police.
“Hello, Robinson?” he asked.
“Speaking.”
“This is George Nada. I’ve figured out how to wake people up.”
“What? George, hang on. Where are you?” Robinson sounded almost hysterical.
He hung up and paid and left the bar. They would probably trace his call.
He caught another subway and went downtown.
It was dawn when he entered the building housing the biggest of the city’s TV studios. He consulted the building director and then went up in the elevator. The cop in front of the studio recognized him. “Why, you’re Nada!” he gasped.
George didn’t like to shoot him with the poison dart gun, but he had to.
He had to kill several more before he got into the studio itself, including all the engineers on duty. There were a lot of police sirens outside, excited shouts, and running footsteps on the stairs. The alien was sitting before the TV camera saying, “We are your friends. We are your friends,” and didn’t see George come in. When George shot him with the needle gun he simply stopped in mid-sentence and sat there, dead. George stood near him and said, imitating the alien croak, “Wake up. Wake up. See us as we are and kill us!”
It was George’s voice the city heard that morning, but it was the Fascinator’s image, and the city did awake for the very first time and the war began.
George did not live to see the victory that finally came. He died of a heart attack at exactly eight o’clock.

(via)

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eBouquin : Test : Kindle 4, la lecture numérique, sans fioritures

26/10/2011

Sur ebouquin un test du kindle 4. Je crois que cela fera partie de mes cadeaux de fin d’année, surtout depuis que l’on peut stocker ses fichiers (comme des epub transformés en mobi via Calibre par exemple) dans le cloud d’Amazon.

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No Pasaran, le Jeu : premières images

18/10/2011


Comme les lecteurs habituels le savent, l’article consacré à No Pasaran, le Jeu de Christian Lehmann a généré pas mal de commentaires et est devenu une sorte de mini forum sur le sujet.
Après avoir annoncé le projet de l’adaptation du livre en BD, Christaian Lehmann a eu la gentillesse de m’envoyer une planche du futur album. A première vue, cela promet du très bon…

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The Economist : The books business: Great digital expectations

11/09/2011

The books business: Great digital expectations : un article de The Economist résumant la situation générale du commerce des ebooks.
(Merci Colin)

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book lovers never go to bed alone

26/07/2011

Des étagères de livres à n’en plus finir : book lovers never go to bed alone .
(via)

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(Presque) tout Lovecraft en ebook

27/03/2011

Voici une nouvelle raison de se laisser tenter par un lecteur d’ebook (j’ai d’autres dépenses pour le moment mais je craquerais bien pour un Kindle). Cthulhu Chick, entre deux grands anciens réalisés au crochet, a compilé l’intégrale des oeuvres de Lovecraft en un ebook (au format epub et mobi). Quelques oeuvres de jeunesse et collaborations n’y sont pas pour des questions de droits mais les titres les plus importants sont tous repris. Du beau boulot.
(via)

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The Guardian : Could this new book kill the Kindle?

26/03/2011

Un article (un peu sensationnaliste) sur l’arrivée des livres flipbooks en Angleterre (ce sont les dwarsligger hollandais). Imprimés verticalement sur du papier très fin, ils tiennent facilement en poche, coutent plus cher q’une version poche et ne risquent pas de concurrencer le Kindle comme le suggère l’article…

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Monsters & Madonnas : the International Centre of Photography Library Blog.

9/03/2011

Livres et photographies : Monsters & Madonnas est le blog de la bibliothèque de l’International Center of Photography de New York. Plein de bonnes choses…

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